Ever so often, there comes a group that represents many different facets of being. Sometimes they elicit response through intimacy, intricacy or idiosyncracy. Most times, the groups that are able to convince an audience to repeatedly support and yearn for more content are the ones that succeed at the highest level.
Raw Skin
Such is the case with a band out of Austin, Texas by the name of Genuine Leather. By no means, are they trying to meld their sound into anything Texan instead they proudly represent their hometown with a unique flair of sound flavor. Their songs are concise and exist within the snappy pop-rock realm in the post-punk era. Their tracks are messily creative and refreshingly unique. While performing in studio or on stage they breathe new life into the atmosphere through authentic rawhides of sonic brilliance. A majority of their songs are covers but to call them that would be doing this group a disservice.
Rather than merely narrowing down their songs to simply covers, it is much more appropriate to consider these guys revivalists. They add a new perspective angle and significant shimmers to songs that were previously crafted. Whether they are better or worse is merely subjective, but one fact cannot be argued: these songs are changed and performed in ways never heard before. Some call it an alteration, some consider it a revamp process. Regardless, when a song is covered by Genuine Leather it receives a fix of some sort. Most of the time, that song relief is done in an uplifting and reminiscent fashion.
As a garage pop outfit collective, this band receives boatloads of inspiration from The Eagles. Frontman Chris Galis considers The Eagles his gateway into the world of rock. As meticulous songwriters with super high standards for arrangement, The Eagles are legendary beings to model your efforts after. Recently, GL gained a fair amount of traction due to their remake of Tom Waits’ “Ol’ 55.” They came up with this idea during one of their hang out back and forth workshop sessions that involves drinkin brews and remembering the good times. In those exercises, they tend to geek out over old material and that is when they decided to cover, “Ol’ 55.”
Clearly, The Eagles are monumental for the inception and continuance of this group. Nevertheless, Genuine Leather channels motivation from a rollicking fusion of influences. They are a divinely birthed entity that refuses to remain boxed in. As they continue to expand beyond one eclectic palette or sonic approach they dabble in many different genres. Some of them being glam rock, new age, guilty pleasure, folk, psych pop, power pop and indie pop. They specialize in guitar solo riffs, compelling vocals and harmonization.
Tapping Into Genuine Leather
With subtle richness, these garage purveyors scale climbing synths with clever shifts. As a relentlessly infectious bunch, their faraway vocals sometimes teeter into sad bastard territory. Never one to alienate their audience, they go through terrific phases that encapsulate multiple pieces of their existence. They terrifically blend baroom crunch with distorted seventh chord blissful melodies. A major selling point of this band is their lush guitar sweetness. Combined with broad strokes of echoing vocals and immaculate percussion they compose supersonic, shiny embellished tracks. Altogether, they do a spectacular job of driving an impenetrable wedge between rock and folk.
A major factor for their knowledge of the industry comes from experience. Their frontman Chris Galis has been with a few different bands and has made music in some way, shape or form since 2004. Also, Chris works in conjunction with local bands to boost their online presence through a company called Volusion. He handles the increase in SEO Ranking, User Experience and Content Marketing with creative competence. This particular group has been together for nearly a decade and they are bound to let the world hear their refined retrospective ramshackle trajectory.
Genuine Leather has been a fixture in the burgeoning Austin, Texas music scene since 2009. Recently, they put out an EP that covers years of their records titled, “2011-2019 Demos, Singles and Live.” It is airy, dreamy and filled with synthesized balladry. This material represents a culmination of songwriting, experiences, firmly intact words and feelings. At the moment, the group is fine tuning their skills and trying to garner a significant following before spending every penny to go on the road. Sure, they are responsible for heralded sculptures of creative manifestations. But, they want to make sure that touring will yield a decent profit before embarking upon this journey so that they maintain a solid return on investment. After all, that is the name of the game.
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